Edgar Degas
French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.
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Edgar Degas Young woman who dries itself oil painting


Young woman who dries itself
mk234 1885 82x50cm
Painting ID::  53901 		Edgar Degas
Young woman who dries itself
mk234 1885 82x50cm
   
   
     
Edgar Degas Rehearal of a Baller on Stage oil painting


Rehearal of a Baller on Stage
mk235 1874 Oil on canvas 65x81cm
Painting ID::  53959 		Edgar Degas
Rehearal of a Baller on Stage
mk235 1874 Oil on canvas 65x81cm
   
   
     
Edgar Degas At the Beach oil painting


At the Beach
mk235 1876 Oil on paper on canvas 46x81cm
Painting ID::  53960 		Edgar Degas
At the Beach
mk235 1876 Oil on paper on canvas 46x81cm
   
   
     
Edgar Degas The Song of the Dog oil painting


The Song of the Dog
mk235 c.1876/77 57.5x45.4cm
Painting ID::  53992 		Edgar Degas
The Song of the Dog
mk235 c.1876/77 57.5x45.4cm
   
   
     
Edgar Degas The Absinth Drinker oil painting


The Absinth Drinker
mk235 1876 Oil on canvas 1876
Painting ID::  53997 		Edgar Degas
The Absinth Drinker
mk235 1876 Oil on canvas 1876
   
   
     
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     Edgar Degas
     French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.

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